4.11.2010

IN NEW YORK

I came back from New York last week. The first couple of days it rained a lot, but we got outside anyway. This is my favorite wall in the city...it surrounds old St. Patrick's Cathedral on Prince St. in Nolita.



At R Gallery a perfectly simple credenza...



A very lovely and very comfortable sofa at Ochre, 462 Broome Street in Soho.




On Tuesday the rain sent us running to the shelter of the Metropolitan Museum. We spent some time looking closely at the Greek antiquities.








Also at the Metropolitan was a show called The Mourners, in the Medieval Gallery. They were marble tomb sculptures of monks in flowing robes and hoods, my favorite of which encase their faces completely. Although photos weren't allowed, the statues are shown on this website which is quite incredible. You can turn the statues around and look at them from different angles. I do have this one to give you the idea.




After the museum we went to Ursus Books, an art book and rare book dealer on Madison Ave.and 77th Street, upstairs in the Carlyle Hotel. I added a tiny pamphlet on his rare lithographs to my collection of Matisse catalogs and graphics.




I was excited to see the Maira Kalman show at the Julie Saul Gallery. I love her sense of color, her idealism, and her deep appreciation of humanity, as well as for what is beautiful. Here are a few of my favorite pieces from the show, which is on till May 1st. The pieces on America and Democracy are from the New York Times blog she published last year called "And The Pursuit of Happiness".

Accordian Woman



Lovers in Museum



Eleanor Roosevelt



Jefferson's Tea Set



Woman With White Hood



Democracy



Thomas Edison Napping



Rotundaloba



This is the last picture from the series, "And The Pursuit of Happiness"...take a look.

At the ICP Museum, on 6th Avenue at 43rd Street, is an exhibition on Miroslav Tichy, a Czech photographer. Born in the 1920s, he started photographing seriously in the 1950s. His photos are intentionally grainy, blurry, scratched, and dirty. Tichy has spent most of his life wandering the streets of Kyjov, looking homeless and disheveled. He makes his own cameras out of cardboard and rubber bands. He photographed his subjects subversively in his private rebellion against the repressions of the communist government. The photos are almost all of women, or parts of women, generally done without their knowledge, but whether it's simply erotic or political is unclear. Because of his appearance, and the fact that the cameras don't look real, his subjects didn't take him seriously, ignoring him as a harmless eccentric. The New York Times ran a great piece about him, "An Ogling Subversive With a Homemade Camera", that helps to give him context. I think his cameras are compelling objects in themselves.

This is one of the cameras he made:



And another



Some of his photos





A Picture of Tichy




Later in the week when the the sun came out the whole city seemed to be celebrating the arrival of Spring. At a well cared for community park on 9th Street and Avenue C there are a pair of stately willow trees looking dramatic in the brightest spring green against their dark branches...here's one of them.



At the park entrance and all along the fences there were flowers made from recycled materials...




Another community park on 6th Street between Avenues B and C. when we came to the entrance we heard Edith Piaf music mysteriously playing at a good volume from a window...it felt as though we'd found ourselves in a french film as we ambled through the garden.



All over the West Village there were white blossomed trees.





It was so beautiful we walked down to Chinatown, to Henry Street, near the Manhattan Bridge. There's a store there called A.B.K. Custom Leather Craft we wanted to see. The owner, the very lovely, talented, and hard working Alya Kazakevich sews everything herself and has an exquisite sense of design. Originally from Belarus, she's lived in New York about 10 years and studied with leather workers here prior to opening her own shop. The work has a character that's very traditional, yet simple and modern at the same time.









At the Gagosian Gallery on 21st Street there's a show of monumental sculpture by Calder. It's exciting to be able to walk around these strong pieces, seeing the way they change as you look at them from different angles, and seeing the way the huge mobiles interact with the floor pieces. There are only a few sculptures in a very large space, but it's very much worth a visit.





On our last day I walked by a restaurant called "The New French" (not a French restaurant in fact) on Hudson and 10th Street. I looked in as lunch was being set up and discovered that Maira Kalman, of all people, had painted drawings all over the walls, and written out the menus and place mats in her distinctive handwriting. I'll have to wait for the next trip to try it out...let me know if you've been there!



3.20.2010

GALERIE HALF

Galerie Half opened in Hollywood at the end of last summer. It's a beautiful setting for well lived aesthetically pleasing pieces of indeterminate age. The large and open space lets all the objects breathe, and there's a lovely silence that hangs in the air.















3.14.2010

THINKING ABOUT MORANDI

Giorgio Morandi Natura Morta, 1960



Whenever I see a group of bottles together I think about Giorgio Morandi (1890-1964). He spent his life painting a variety of bottles and objects he had in his studio, located in the centuries old house in Bologna that he shared with his three sisters. They lived a comfortable and cosmopolitan life, entertained a good deal, and none of them ever married. He studied the work of Paul Cezanne and Jean-Simeon Chardin and was very much influenced by them. He was considered by many the greatest Italian painter of his time, and has been an influence on many artists who came after him.



Paul Cezanne (1839-1906) Apples and Biscuits, 1879-82



Jean-Simeon Chardin (1699-1779) Water Glass and Jug, 1760



Photo in Morandi's Studio



Kirsten Coelho is an artist who shows her work at the Matin Gallery in Culver City. They are perfectly pure forms, with oxidation that gives a sense of age. These look as though they came from one of Morandi's paintings.



Morandi Natura Morta, 1951



Gwyn Hanssen Pigott An Australian potter, who has certainly thought about Morandi.



Cy Twombly Still Life, Black Mountain College, 1951



Nicolas De Stael (1914-1955) Nature Morte, 1955



Giorgio Morandi Natura Morta, 1916



Frances Palmer, a potter living in Weston, Connecticut, who has a line of pieces made from old molds, as well as a handmade line. I found this on Remodelista.



Giorgio Morandi Natura Morta, 1931



Constance Spry (1886-1960), Florist, Author, and Social Reformer! I love this piece. I saw a number of her pieces a few years ago at Gordon Watson in London and thought they were wonderful.



Andrew Lord I really enjoy his groupings of objects. He's thought about Morandi too.



Giorgio Morandi Natura Morta, 1955



Simon Pearce Pitchers via Remodelista. The clean lines of these pitchers are lovely. They have the simple forms of Morandi's objects.



Photo of Morandi's Studio and his Collection of Bottles

3.12.2010

J.B. BLUNK IN L.A.

My husband and I saw a preview of the J.B. Blunk show at the Blum & Poe gallery in Culver City last week. J.B. Blunk (1926-2002) made eccentric furniture and beautiful wood sculptures from local redwood and cypress trees at his studio in Inverness California. The show has been curated by our friend Gerard O'Brien who runs the Reform Gallery in Los Angeles. Gerard has been showing Blunk's works at his shop for a number of years now. He's also showed some of Blunk's best pieces at Design Miami/Basel and Design Basel/Switzerland. Showing this work at Blum & Poe's spacious second floor gallery gives the viewer a chance to see this work in an uncluttered environment. You can see Blunk's work at its best in this spare installation.

The J.B. Blunk show opens tonight, March 12th and runs till May 15th.




A headboard with a place for a robe, a cup, and something to read




A Chair



This looks like a Hummingbird to me




There's something very tender about this piece



A Bed



Bed Detail



Portal



Beak, close up




“My way of working, the core of all my sculpture, is a theme, the soul the piece. Sometimes it is evoked by the material, sometimes it is an idea or concept in my own mind. It is always present, regardless of the material, size or scale of what will be the finished piece... Since I principally use a chainsaw to do this, it is a process that moves quickly. At times the cutting away and forming happen so fast it is almost unconscious… I suppose one could say I enter into a relationship with the material I am using and as in all relationships, there are opportunities for surprise.”

- J.B. Blunk, 1999